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Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Continued present importance
Oscar Wildes period piece transcends its Victorian setting and has an acute contemporary message on class and sex divides, says PETER MASON
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
A Woman of No Importance
Vaudeville Theatre, London
THIS entertaining Oscar Wilde play has been performed only once on the London stage in the past 20 years. A shame, as it’s almost as relevant in these times of social division as it was when written in 1892.
With its consideration of the status of women and its coruscating condemnation of the class system, the play was radical for its era but, partly for fear of alienating Victorian audiences, the original was amended by Wilde to reduce the amount of social commentary it contained.
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PETER MASON shivers in the under-heated ecclesiastical setting of a concert featuring five 19th-century French composers
