SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star

TO START with the obvious — the mighty Rancid’s Trouble Maker (Epitaph) is one of their strongest for years, with their catchily diverse punky/ska melodies well to the fore, with Telegraph Avenue and Farewell Lola Blue absolute anthems. Just a shame they hardly every play in this country. rancidrancid.com
The King Blues have come up with an absolute cracker in The Gospel Truth (Cooking Vinyl), in which singer/rapper/wordsmith Itch pours out his heart and tries to make amends for, as he confesses quite candidly, completely fucking things up in the past few years for himself and, more importantly, those he claimed to care about.
I’ve known him for 13 years — his talent is enormous and deserves more than being pissed up the wall and lost in welters of accusation and abuse. I really hope he can find the redemption he craves. kingbluesofficial.com



