MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
We need a cultural revolution to roll back the corporate attack on the arts
Elisabeth Murdoch Jan 12 2018
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
THE NEOLIBERAL ideology that has dominated our culture for half a century is crumbling to pieces.
The government is desperately trying to patch together support for its reactionary, oppressive policies and, among the chaos, conflicts and injustices of Brexit, Grenfell Tower, gender inequality, and sexual harassment, Arts Council England (ACE), which exists to provide public subsidy to cultural institutions, decides it needs new council members.
So who do you think is appointed by the Tory government in order to defend and promote the imposition of corporate, capitalist values in art and culture? Who might have the relevant qualifications and experience at privatising the arts and preventing the creation and consumption of art from becoming a communal, anti-capitalist and politically liberating force?
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MIKE QUILL reports on a lively conference in Barnsley that took stock of working-class access to culture and proposed strategies to embed culture within the trade union movement
MIKE QUILLE relishes political theatre at its most entertaining, engaging and effective
MIKE QUILLE is impressed by the rigorous Marxist approach to be found in a new book on the dialectics of art
ADAM THERON-LEE RENSCH talks to Mike Quille about what it is to be a working-class writer in the US and patronising perceptions of class that abound left, right and centre
