MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
The B*easts
Bush Theatre, London
THAT fine actor Monica Dolan both writes and performs this shocking tale of our times in which a pre-pubescent child makes a disturbed yet purposeful bid for attention.
Lila, from an early age, has shown an increasingly insistent obsession with the female body and, in particular, with the power of female breasts. So much so that, aged eight, she demands of her defenceless mother breasts all of her own.
The result is a trip to Brazil for cosmetic surgery and the appearance of double D-cup Jordan-sized breasts on a child so young that all hell is unleashed. Mother Karen is arrested and charged with child abuse.
SIMON PARSONS applauds an exceptional performance of Wesker’s little-known play, by the same actor for whom it was written 45 years ago
EWAN CAMERON witnesses a political farce that lacks a clear message
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class


