ALAN MORRISON recommends a consummate, heart-warming collection about a working-class upbringing in the industrial north-east
The jury's out
The top film at the Berlin Film Festival wasn't met with universal acclaim, reports RITA DI SANTO, but others fared better
Provocative: Touch Me Not
KATAYOUN SHAHANDEH surveys Iran’s cultural heritage and explains what has been damaged and what could be lost
A dazzling novel, and autobiographical fiction, by Mexicans Brenda Navarro and Cristina Rivera Garza, and poetry by Brazilian Ricardo Domeneck
JONATHAN TAYLOR ponders the difference between autobiography and memoir - between life and story - in Margaret Atwood’s account of herself
Rereleases from Andrew Gold; John McFee, Stu Cook, Keith Knudsen; and The Outer Limits
Five years ago a flash crowd of Glaswegian activists defeated the Home Office and the police; MATT KERR urges you to savour that day in a cinema
THE GOLDEN Bear, top prize at the Berlin Film Festival, went to Adina Pintilie’s Touch Me Not, a jury decision that did not go down well with the press.
The first feature from the Romanian artist and film-maker, it's a provocative film about sexuality that follows the journey of three people as they explore their need for, and issues with, physical intimacy.
A tale of sexual obsession, portentous and ultimately unsatisfactory, it features long stretches of graphic nudity and makes for a very long two hours.
Similar stories
RITA DI SANTO gives us a first look at some extraordinary new films that examine outsiders, migrants, belonging and social abuse
RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
FIONA O’CONNOR steps warily through a novel that skewers many of the exposed flanks of the over-privileged