MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
Frozen
Theatre Royal Haymarket, London
BRYONY LAVERY’S Frozen arrives at the Theatre Royal with a starry cast and a formidable track record after previous productions at Birmingham Rep, the National Theatre and on Broadway attracted award nominations.
But there's something about Lavery's story of a remorseless serial killer who commits the kind of crime that makes avengers of us all and sets mobs baying for blood that leaves me cold.
Centred on the rape and murder of a child, Frozen cuts through spontaneous revulsion with intelligent questions while seeming to exploit, rather than dissipate, the prurience of the world at large.
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
MARY CONWAY admires a brave and topical study of Armageddon that is, unfortunately, unable to come to a conclusion
ANGUS REID urges us to understand the persecution of Jason Arday from a political and historical perspective, and to see the victim in human terms
MARY CONWAY becomes impatient with the intellectual self-indulgence of Tom Stoppard in a production that is, nevertheless, total class


