The Star's critic MARIA DUARTE reviews Sebastian, Four Mothers, Restless, and The Most Precious of Cargoes
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A visionary who still inspires
Jenny Farrell pays tribute to JOHN HEARTFIELD, the creator of political photomontage, who died 50 years ago today
JOHN GREEN explores the argument that psychiatry needs to move away from the idea of just seeing and treating the individual
SYLVIA HIKINS applauds a polemic against “cleanfluencers” and considers radical alternatives to current inequalities of housework
RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
A FEARLESS communist and activist who lived through two world wars, John Heartfield was born in Berlin in 1891.
Along with his brother and two sisters he was abandoned by his parents at the age of eight and went with his siblings to live with relatives. After finishing school, the brothers moved first to Wiesbaden and from there to Munich where Heartfield studied art.
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