EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
IT'S not the most propitious start to her short British tour, but Kristin Hersh appears sanguine. “These things happen,” she responds, when asked about the airline losing the Gretsch guitar of former Throwing Muses bassist and current support act Fred Abong. “Often!”
The US alt-rock and folk musician, who also performs in power trio 50FootWave, is in the country to perform at Robert Smith's Meltdown Festival. “A lovely man,” she enthuses. “All love, no stress. What a great way to be a person!”
She’s no stranger to the musician-curated festival, having played at Patti Smith’s in 2005. Despite the show’s prestige, to her it’s just like playing any other. “I do the same thing every time I play, whether it’s in a garage, a rock club, a hotel bathroom, a theatre or a festival. Music is focus. If anyone listens, it’s communication, but that can’t happen without focus.”
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
CHRIS SEARLE speaks to Argentinian saxophonist CAMILA NEBBIA
JULIA TOPPIN recommends Patti Smith’s eloquent memoir that wrestles with the beauty and sorrow of a lifetime
CHRIS SEARLE speaks to Filipino-US saxophonist JON IRABAGON about the threat of AI in the time of Musk and Trump, and how an artist can respond



