Skip to main content
Gifts from The Morning Star
Memoir of Mexico City wins top prize at Venice Film Festival

VENICE, the world's oldest and most elegant film festival, reached the age of 75 this year in perfect shape.

 

At the closing ceremony on Sunday, the prestigious Golden Lion went to Alfonso Cuaron’s Roma, a black-and-white drama drawn from the director’s memories of growing up in Mexico City in the early 1970s.

 

The film, which marks the director’s return to Spanish-language film making, is clearly Cuaron’s most personal work, showing immense respect in portraying the women who raised him.

 

It centres on two domestic workers of Mixtec heritage, who tirelessly take care of a small family in the middle-class neighbourhood of Roma. The film is good-looking throughout, finely observed and more than capable of moving an audience to tears.

 

The Favourite, Greek director Yorgos Lanthimos’s darkly comic period piece, won the Grand Jury prize and Olivia Colman won the best actress award for her hilarious performance as Queen Anne, a dysfunctional monarch who suffers from gout and only occasionally rises out of her four-poster bed to go around her palace in a wheelchair.

 

Australian writer-director Jennifer Kent’s The Nightingale, the only title in the competition directed by a woman, also scooped a couple of awards. The revenge thriller won the Special Jury prize, as well as the best young actor which went to Baykali Ganambarr.

 

In this sometimes violent film, set in 19th century Tasmania, a 21-year-old Irish female convict and an Aboriginal tracker pursue the British army officer who wronged her family. The film prompted a sexist outburst aimed at the director during the press screening, which resulted in the withdrawal of the offender’s press credentials.

 

French director Jacques Audiard took best director for The Sisters Brothers, his witty English-language Western starring Joaquin Phoenix and John C Reilly as sibling hit men, while best actor went to Willem Dafoe for his tour-de-force portrayal of Vincent van Gogh during the painter’s artistically illuminated but mentally dark final period in Julian Schnabel’s At Eternity’s Gate.

 

Joel and Ethan Coen won best screenplay for their Western The Ballad of Buster Scruggs. The Coen Brothers are among the most original film-makers in the US and the film turns a familiar genre, the Western drama, into something miles away from the ordinary.

The 95th Anniversary Appeal
Support the Morning Star
You can read five articles for free every month,
but please consider supporting us by becoming a subscriber.
More from this author
Once gaza
Cannes Film Festival 2025 / 6 June 2025
6 June 2025

RITA DI SANTO draws attention to an audacious and entertaining film that transplants Tarantino to the Gaza Strip

cannes
Cannes Film Festival 2025 / 30 May 2025
30 May 2025

RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards

2 p
Interview / 20 May 2025
20 May 2025

RITA DI SANTO speaks to the exiled Ukrainian director Sergei Loznitsa about Two Prosecutors, his chilling study of the Stalinist purges

bread
Cannes Film Festival 2025 / 16 May 2025
16 May 2025

RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival

Similar stories
cannes
Cannes Film Festival 2025 / 30 May 2025
30 May 2025

RITA DI SANTO reports on the films from Iran, Spain, Belgium and Brazil that won the top awards

DARK FAIRYTALE: Eszter Tompa in Romanian filmmaker Radu Jude
Cinema / 25 February 2025
25 February 2025
RITA DI SANTO picks the best films from a festival that adopted a ‘neutral’ political position, despite the looming presence of the AfD
Calandagan ridden by Stephane Pasquier on their way to winni
Horse racing / 19 October 2024
19 October 2024
Our tipster looks at the best offerings from Ascot, York
(L) The Brutalist, directed by Brady Corbet; (R) Youth Homec
Venice Film Festival 2024 / 9 September 2024
9 September 2024
RITA DI SANTO selects seven of the best films from this year’s line-up to watch for in cinemas