IN THE 1990s sitcom Nightingales, the apparently harmless lead characters were occasionally transformed into evil Shakespearean villains. Lightning flashed and the set filled with smoke, while the cast hissed murderous plot lines in iambic pentameter and struck poses from Laurence Olivier’s version of Richard III.
KEVIN DONNELLY suggests that the task of transforming cultural spaces is far from over and that photography still has a key role to play
STEPHEN ARNELL looks back to when protesters took to the streets in London demand to Irish liberty, fair pay and free speech — and wonders what’s changed in 138 years
ANDY HEDGECOCK relishes an exuberant blend of emotion and analysis that captures the politics and contrarian nature of the French composer


