The bard celebrates two other fine practitioners of the art, and laments a lost brewer
TOO few of us, no doubt, have ever asked ourselves: “What would a punk-crossover-Tudor madrigal sound like?” But John Baine, aka stand-up poet Attila the Stockbroker, has not only had that thought, he’s made the excellent album Restoration Tragedy about England’s 17th century revolution based on his answer.
From the opening The Levellers Trilogy, Baine and his band, Barnstormer 1649, prove that this admixture of radical 17th century history, traditional folk instrumentation and composition and punk sensibilities really can work.
The bard celebrates two other fine practitioners of the art, and laments a lost brewer
JULIA THOMAS unpicks the mental processes that explain why book-to-film adaptations so often disappoint
New releases from Ninebarrow, Amit Dattani, and Lonan
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF


