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GEOFF BOTTOMS relishes a profoundly human portrait of a family as it evolves across 55 years in Sheffield
Barbed commentaries from a master satirist
TOM KING recommends Martin Rowson's latest unfettered assault on personal and political pretence
PAUL DONOVAN applauds an excellently crafted new musical that explores the life and death of Ruth Ellis
PAUL DONOVAN is tickled by the excruciating take-downs of one of the funniest, wittiest, political writers around.
RON JACOBS points out, via a transcription of Kissinger’s secret recordings, that Trump could never have existed without Nixon and Kissinger
ELLIS RAE is persuaded that the advantages of the ‘talking cure’ are superior to the treatment of mental illness with drugs
JOHN GREEN, MICHAL BONCZA and BELLA KATZ review The Good Boy, Broken English, and Don't Be Prey
MARTIN ROWSON, in referring to Boris Johnson as a “Cloying Classical cum-stain of Cataline Calamity,” is both an excellent judge of character and in possession of an admirable aptitude for acerbic alliteration.
Perhaps better known for his brilliantly derisive cartoons, in Pastrami Faced Racist — a collection of poetry about the farcical realities of modern Britain — he casts his satirical gaze over contemporary political and literary life, swapping brush for pen and witty and absurdist verse.
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Peter Mitchell's photography reveals a poetic relationship with Leeds
Ben Cowles speaks with IAN ‘TREE’ ROBINSON and ANDY DAVIES, two of the string pullers behind the Manchester Punk Festival, ahead of its 10th year show later this month
This is poetry in paint, spectacular but never spectacle for its own sake, writes JAN WOOLF
In an exhibition of the graphic art of Lorna Miller, MATT KERR takes a lungful of the oxygen of dissent