The bard pays homage to his two muses: his wife and his football club
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A purpose to pleasure
Tate Liverpool's exhibition reveals the brilliance of Fernand Leger, one of the great painters of realist political art, says CHRISTINE LINDEY
ABC by Fernand Leeger, 1927
MARY CONWAY is disappointed by an incoherent show that fails to question stereotypical assumptions about the Soviet Union
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
WILL STONE, JAMES WALSH and MARIA DUARTE review Souleymane’s Story, Sunlight, Good Fortune, and After The Hunt
ALEX HALL recommends an exhaustive investigation of the means by which the Starmer faction assassinated the left
DAVID MORGAN recommends a refreshingly inspiring novel that features encounters with some tremendous women
FERNAND LEGER (1881-1955) grasped life with insatiable optimism and a passion for ideas. He was born in Normandy to a belligerent cattle merchant who died during his early childhood, leaving an impoverished widow. She apprenticed the 16-year-old Leger to an architect, but, in 1900, he fulfilled his desire to study art in Paris, by supporting himself as an architectural draughtsman.
He had grasped the full significance of the recent revolutionary Cubist and Futurist innovations and used them to convey the modernity of urban life, with its simultaneous cacophony of sounds, speeding motorised vehicles and visual stimulation.
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