Skip to main content
Books: Assassination by austerity
Who Killed My Father is an immensely powerful account of the impact of turbo-charged capitalism in France, says PAUL SIMON
J'accuse: Edouard Louis

Who Killed My Father
by Edouard Louis
(Harvill Secker, £10.99)

THE LACK of a question mark in Eduard Louis’s spare account of his father’s troubled life and decline is deliberate.

Who Killed My Father is not a traditional murder mystery. It is an indictment of both hyper-masculinity and turbo-charged capitalism, although his father’s life and body is very much a crime scene.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
Nagaland shawl with tiger and lion motiv
Book Review / 27 March 2022
27 March 2022
(L to R) Harry Pollitt, Vladimir Lenin and Ernest Bevin
Book Review / 18 February 2022
18 February 2022
Book Review / 10 November 2021
10 November 2021
An absorbing metaphor for contemporary Western societies is recommended by PAUL SIMON
Reykjavik in close-up
Literature / 30 August 2021
30 August 2021
PAUL SIMON falls under the spell of little known authors from an island at the edge of the world
Similar stories
(L) Chilean academic and photographer Luis Bustamante; (R) C
Exhibition Review / 11 July 2024
11 July 2024
Co-curator TOM WHITE introduces a father-and-son exhibition of photography documenting the experience and political engagement of Chilean exiles
Julia Margaret Cameron, Mountain Nymph, Sweet Liberty, 1865
Exhibition review / 21 June 2024
21 June 2024
LYNNE WALSH applauds a show of paintings that demonstrates the forward strides made by women over four centuries 
Edgar Degas, Young Woman with Field Glasses, 1866-68, detail
Exhibition review / 7 June 2024
7 June 2024
HENRY BELL steps warily through the collection of a Glaswegian war profiteer to experience his collection of Degas’ remarkable images of working people
Kathleen Turner as V.I. Warshawski (1991)
BenchMarx / 17 May 2024
17 May 2024
ANDY HEDGECOCK celebrates the way that US writers have always used crime and sci-fi to explore and express dissident ideas