MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
JAMES PHILLIPS’S play is the story of Ethel and Julius Rosenberg, who perished on the electric chair for allegedly passing atomic warfare secrets to the Soviet Union.
While the names have been changed and there is some dramatic licence, essentially it’s the authentic history.
The central focus is the American-Jewish couple Esther and Jakob Rubenstein, devoted soulmates with a passion for communism, while Esther’s brother David and his soon-to-be-wife Rachel also shape the drama.
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
MARY CONWAY applauds the timely revival of Miller’s study of people fatally deformed by the economics of survival
MARY CONWAY is spellbound by superb performances in Arthur Miller’s study of the social and personal stress brought about by Nazi Germany’s Kristallnacht
MAYER WAKEFIELD has reservations about a two-handed theatrical homage to jazz’s most mercurial musician


