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Joe McPhee, Paal Nilssen-Love and Black Top, Cafe Oto, London
Intoxicating improvisation from a quartet with a global reach
PIC CAP Man of many parts: Joe McPhee Pic: Dawid Laskowski

AN AMALGAM of origins is on show at Cafe Oto as these four boundary-breaking musicians take the stage.

Pianist Pat Thomas and vibraphonist Orphy Robinson — the duo of Black Top — are London-based but with deep Caribbean connections to Antigua and Jamaica. Multi-instrumentalist Joe McPhee, who’s been making audacious and rebellious records since 1968, lives in New York state, while some thunderous percussive subtlety is provided Norway’s Paal Nilssen-Love.

McPhee opens by respiring into his pocket trumpet as if it’s the first breath of his life. Nilssen-Love’s drumscape gradually grows cyclonic, while Thomas alternates between trenchant piano chords and the electronics of his whining, whistling Moog theremini and Robinson’s flying mallets pummel his xylosynth and his hands address the box he sits on.

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