MARIA DUARTE recommends a remarkable study of the friendship between a Palestinian and a Pakistani, broken by a hostile state
AN AMALGAM of origins is on show at Cafe Oto as these four boundary-breaking musicians take the stage.
Pianist Pat Thomas and vibraphonist Orphy Robinson — the duo of Black Top — are London-based but with deep Caribbean connections to Antigua and Jamaica. Multi-instrumentalist Joe McPhee, who’s been making audacious and rebellious records since 1968, lives in New York state, while some thunderous percussive subtlety is provided Norway’s Paal Nilssen-Love.
McPhee opens by respiring into his pocket trumpet as if it’s the first breath of his life. Nilssen-Love’s drumscape gradually grows cyclonic, while Thomas alternates between trenchant piano chords and the electronics of his whining, whistling Moog theremini and Robinson’s flying mallets pummel his xylosynth and his hands address the box he sits on.
CHRIS SEARLE relishes the genius of pianist Alexander Hawkins, his many ensembles, and his new album
CHRIS SEARLE urges you to listen to two new albums by the US Indian pianist VIJAY IYER
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
CHRIS SEARLE recommends a new album featuring Pat Thomas and Ahmed, and marvels at the tempestuous power of a live performance



