Skip to main content
Delight in da Vinci
A book of paintings and drawings by the great artist is a real treasure, says CHRISTINE LINDEY

Leonardo da Vinci 1475-1519: The Complete Paintings and Drawings
by Frank Zollner
Taschen, £50

THE next best thing to travelling the world to see Leonardo da Vinci’s original works is to pore over the plethora of beautifully reproduced, full-page illustrations of his paintings in Frank Zollner’s book.

Many are followed by several whole-page, full-bleed details which reveal the use of light, brushwork and subtle tonal changes.

Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
AIA
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
exp web 1
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
entangled 1
Exhibition review / 7 March 2024
7 March 2024
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
kitaj 1
Exhibition Review / 22 November 2023
22 November 2023
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
Similar stories
golden age of slavery
Book Review / 4 February 2025
4 February 2025
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces
exp web 1
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
female
Exhibition review / 21 June 2024
21 June 2024
LYNNE WALSH applauds a show of paintings that demonstrates the forward strides made by women over four centuries 
Degas
Exhibition review / 7 June 2024
7 June 2024
HENRY BELL steps warily through the collection of a Glaswegian war profiteer to experience his collection of Degas’ remarkable images of working people