Skip to main content
The Morning Star Shop
Delight in da Vinci
A book of paintings and drawings by the great artist is a real treasure, says CHRISTINE LINDEY

Leonardo da Vinci 1475-1519: The Complete Paintings and Drawings
by Frank Zollner
Taschen, £50

THE next best thing to travelling the world to see Leonardo da Vinci’s original works is to pore over the plethora of beautifully reproduced, full-page illustrations of his paintings in Frank Zollner’s book.

Many are followed by several whole-page, full-bleed details which reveal the use of light, brushwork and subtle tonal changes.

They make it possible, for example, to peruse the sfumato around the Mona Lisa’s eyes and mouth or the play of light on her drapery as well as the whole painting.

Born to a peasant girl and a lawyer, da Vinci was carefully reared by his father’s family but forbidden university entrance due to his illegitimacy, so he was apprenticed to a leading Florentine artist’s workshop under the guild system.[[{"fid":"15969","view_mode":"inlineright","fields":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false},"link_text":null,"type":"media","field_deltas":{"1":{"format":"inlineright","field_file_image_alt_text[und][0][value]":false,"field_file_image_title_text[und][0][value]":false}},"attributes":{"class":"media-element file-inlineright","data-delta":"1"}}]]

Yet, as news of his extraordinary talent for painting, technical ingenuity and musical virtuosity spread among Italian princes and despots, they competed for his services. His social status rose from skilled artisan to pampered court artist to Ludovico Moro in Milan and, eventually, to being the French King Francois I’s artist-engineer and intimate friend.

With the ambition of placing painting on a scientific basis, he went beyond his outstanding artisanal expertise by making technical and scientific inquiries into virtually all visible phenomena through observation, so deriving underlying laws.

Zollner explains that although da Vinci’s paintings are best known, the vast majority of his output consisted of drawings and notes mostly made the better to understand, and so best represent, his subjects. But some, such as studies of flight, were purely scientific.

The extraordinarily range of his investigations included numerous dissections of human and animal corpses to reveal the functioning of skeletons, musculatures, the heart and intestines, the growth of trees and plants and the laws of light and the harmony of sounds.

He also created complex robots for his powerful patrons to impress their guests, along with military weapons and  fortifications.  

The majority of his drawings remained unknown for centuries since he did not publish them, so his success in his lifetime rested mostly on his paintings, informed by his underlying scientific understanding of humanity and nature.

At over 700 large pages, the book is an indispensable source of up-to-date visual documentation, scholarly references and bibliographies, combined with short but well-informed but accessible accounts of subject matter, visual analysis and patronage in their socio-cultural contexts.

Although expensive, the book is excellent value given its extraordinarily high production standard. It offers endless hours of pleasure and enlightenment.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
James Boswell, Two studies of a man with a chain through his
Exhibition Review / 7 November 2024
7 November 2024
CHRISTINE LINDEY welcomes a fascinating survey of the work of the communist and socialist artists who founded the AIA in the 1930s
Gabriele Münter, Portrait of Marianne von Werefkin, 1909; L
Exhibition review / 28 June 2024
28 June 2024
CHRISTINE LINDEY guides us through the vivid expressionism of a significant but apolitical group of pre WWI artists in Germany
(L-R) Joshua Reynolds’ Portrait of George, Prince of Wales
Exhibition review / 7 March 2024
7 March 2024
CHRISTINE LINDEY salutes an outstanding exhibition imbued with a sense of national guilt
(L) Synchromy with F.B. - General of hot desire (1968-69); (
Exhibition Review / 22 November 2023
22 November 2023
CHRISTINE LINDEY surveys the cosmopolitan, enigmatic compositions of an idiosyncratic artist whose work speaks of mystery and exile
Similar stories
Daniel Lind-Ramos, Ensamblajes, Nottingham Contemporary
Exhibition review / 20 February 2025
20 February 2025
ANDY HEDGECOCK relishes two exhibitions that blur the boundaries between art and community engagement
GUILTY PARTIES: Rembrandt Van Rijn (1606-1669), Syndics of t
Book Review / 4 February 2025
4 February 2025
CAROLINE FOWLER explains how the slave trade helped establish the ‘golden age’ of Dutch painting and where to find its hidden traces
A panel from the Palestinian History Tapestry
Exhibition Review / 1 October 2024
1 October 2024
MARJORIE MAYO recommends an exhibition that asserts Palestinian history, culture and creativity in the face of strategies to erase them
(L) A resident of Burnthouse Lane estate; (R) Derek, a homel
Books / 6 August 2024
6 August 2024
JOHN GREEN appreciates two photobooks that study the single room of a homeless hostel resident, and a council estate in Exeter