MATTHEW HAWKINS contrasts the sinister enchantments of an AI infused interactive exhibition with the intimacies disclosed by two real artists
Much more than a museum piece
HANNAH KHALIL talks to Joe Gill about her new play on the fraught history of Western interventions in Iraq
ON THE first day of rehearsals for the Royal Shakespeare Company’s production of A Museum in Baghdad, writer Hannah Khalil looked around the studio at the big cast.
Hannah Khalil
All but two were, like herself, of Arab descent.
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RON JACOBS welcomes the long overdue translation of an epic work that chronicles resistance to fascism during WWII
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