RITA DI SANTO assesses the winners of the most politically charged festival to date
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Best of 2019: Theatre
John Kani's Kunene and the King, set in post-apartheid South Africa, was a highlight of the year
Mirror to life: John Kani and Anthony Sher in Kunene and the King
KATARZYNA KOSMALA introduces a retrospective by one of the most significant figures in contemporary US photography
MAYER WAKEFIELD is entertained but let down by an audacious production that, sadly, doesn't ring true
MARY CONWAY is disappointed by drama that, despite accomplished performances, cannot overcome an unfocused script
New releases from Sam Carter, Spell Songs and Les Thomas
THERE is always a place for skilful modern treatments of the classics and Tom Morris’s production of Cyrano de Bergerac, adapted by Peter Oswald, bubbled with a sparky contemporary wit.
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Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
KEITH RICHMOND relishes a superbly conceived modern version of Aeschylus’ drama of murderous family succession
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship
