The Bard stands with the Reformers of Peterloo, and their shared genius in teaching history with music and song
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Gypsy, Royal Exchange Theatre Manchester
Everything comes up roses in stunning production of Sondheim classic
SUPERLATIVE: Ria Jones as Rose
[Johan Persson]
SUE TURNER is fascinated by a book that researches who the largely immigrant workforce were that built the Empire State
MARIA DUARTE and MALC McGOOKIN review Sirat, The Testament of Ann Lee, EPiC: Elvis Presley in Concert, and All You Need Is Kill
STEVE ANDREW recommends a Marxist analysis of the long chains of production that global corporations exploit
MARY CONWAY relishes the period detail but misses the drama in this unsatisfactory dramatisation of the subjugated life of George Eliot
IAN SINCLAIR welcomes a mainstream scholar to the ranks of left-wing critique of US foreign policy
PETER MASON is disappointed that the eponymous Count fails to put in an appearance
THIS is a stunning production of Stephen Sondheim and June Styne’s musical Gypsy.
Based very loosely on the memoirs of Gypsy Rose Lee, the one-time “Queen of Burlesque,” the show follows Gypsy’s mum Rose as she drags her kids, Louise and June, from state to state with their dreadful vaudeville act.
Rose is determined to make 10-year-old June a star. But eventually it’s the neglected older sister, Louise, who succeeds.
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As part of the 2025 London Jazz Festival Rich Mix offered intriguing sessions titled 'Persian Jazz,' CHRIS SEARLE was there
PAUL FOLEY picks out an excellent example of theatre devised to start conversations about identity, class and belonging
ANGELA COBBINAH applauds the success of a tribute in drama by a daughter to her immigrant mother