Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Counter-terror alert
MAYER WAKEFIELD sees a timely reminder of the threat posed by an unfettered surveillance state
MAKING WAVES: Rona Morison as Cora Preece Pic: Ellie Kurttz
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
The Haystack
Hampstead Theatre, London
AL BLYTH’S debut play may have hit the stage over six years on from the release of Edward Snowden’s National Security Agency leaks that inspired it but it still manages to shock.
In it, Neil (Oliver Johnstone) and Zef (Enyi Okoronkwo) are two graduate whizz-kids whose technological prowess sees them rapidly progressing up the ladder at GCHQ’s Cheltenham spy base by impressing their officious boss Hannah (Sarah Woodward).
Dressed in hoodies and tracksuit bottoms, they find themselves “getting the keys to the Ferrari” as they are recruited onto a counter-terror case. They casually intrude upon conversations, trace medical records and relationship histories with chilling ease while munching Maltesers.
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