PRAGYA AGARWAL recommends a collection of drawings that explore the relation of indigenous people to the land in south Asia, Africa and the Caribbean
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Requiem for free musical movement
At 11pm on December 31, an important part of my life in the form I choose to live it came to an end
Hamburg's FC St Pauli fans unfurl a banner in solidarity with Attila the Stockbroker
[St Pauli FC]
CHRIS SEALE speaks to Palestinian sound artist BINT MBAREH
MARY CONWAY applauds a brave and timely two hander that explores the difference between intimacy and abuse
ANDY HEDGECOCK and MARIA DUARTE review The Thing with Feathers, Train Dreams, Sisu: Road to Revenge, and Wicked: For Good
GUILLERMO THOMAS welcomes a biography of WA Domingo, a key figure in the anti-colonial struggle in the Caribbean
BRENT CUTLER is intrigued by the imperialist, supremacist and contradictory history of a word that is used all too easily
BEFORE 1992 and open borders I always toured mainland Europe solo as a poet and acoustic performer, although I had long thought of forming a band to play my songs.
My experiences crossing borders with other bands — the ludicrous, petty nonsense to which we were subjected for no good reason whatsoever, simply because we were punk musicians — meant that I stuck to my solo poems and songs and the minimal, though constant, nonsense I experienced travelling alone with a hand-held mandola and a rucksack full of merch.
The irony about border checks is that I have never taken illegal drugs. I have never smoked and hate pills and injections. I prefer beer.
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