MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
A PERFECT Cemetery (Charco Press, £9.99) is Argentinean writer Federico Falco's fourth collection of short stories, and it’s one of his most accomplished.Unlike many of the better-known short-story writers from Argentina, Falco was not born in Buenos Aires but in Cordoba, a province in the centre of the country surrounded by mountains, sierras and lakes, and it this supposedly idyilic landscape that shapes each of the stories in the collection.
They flow with a slow and hypnotic rhythm, with the brilliant clarity now associated with Falco’s refined style.
Particularly striking are The Hares, in which a mysterious hunter spends his days hidden in the mountains, his cave or in front of the altar that he built with the bones of the eponymous animals; and Silvi and Her Dark Night, in which the bored protagonist abandons her Catholic faith in order to get closer to a handsome Mormon, rebelling against her oppressive mother and the social conventions of her sleepy town as she does so.
CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
ALAN McGUIRE welcomes a biography of the French semiologist and philosopher
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
MANJEET RIDON relishes a novel that explores the guilty repressions – and sexual awakenings – of a post-war Dutch bourgeois family



