JOHN GREEN, MARIA DUARTE and ANGUS REID review Fukushima: A Nuclear Nightmare, Man on the Run, If I Had Legs I’d Kick You, and Cold Storage
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Brothers bereft of context
Wider political and social concerns never intrude on a domestic drama of fraternal discovery, says JOHN GREEN
ONES TO WATCH: Danny Sapani (left) and Anton Lesser
DENNIS BROE searches the literary canon to explore why a duplicitous, lying, cheating, conning US businessman is accepted as Scammer-in-Chief
MIK SABIERS raises a glass of Lambrini to commentary, diatribes, punk rock riffs, some pontification and a whole lot of fun
BRENT CUTLER unpicks the complex social relations imagined in a novel about the builders of Stonehenge
SUSAN DARLINGTON laments a version of the adventures of Sherlock Holmes that is unable to solve its own problems
New releases from The Thumping Tommys, Dan O’Farrell and The Difference Engine, and Sean Taylor
Hymn
Almeida Theatre, London
THIS two-hander serves up riveting performances by two consummate actors who have had to rapidly adapt from performing in a real theatre with a live audience to an onscreen-only production involving many close-ups.
The lighting and camerawork both work wonders in a very confined space and what is perhaps lost from the theatrical experience is made up for with the bonus of intimacy.
Thirty-something Gil (Anton Lesser) is delivering the eulogy at his father’s funeral when, towards the end of the ceremony, he is approached by Benny (Danny Sapani), who reluctantly reveals that he is Gil’s half-brother, the son of the same father who has just been despatched to the afterlife.
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Odysseus’s homecoming myth is treated as a factual story, with strong resonances for our contemporary world. This is an implicit anti-war film that has an urgent relevance, writes JOHN GREEN
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GORDON PARSONS is bowled over by a skilfully stripped down and powerfully relevant production of Hamlet