MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
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J'Ouvert, Harold Pinter Theatre London
The Notting Hill Carnival's been cancelled but the exhilarating J'Ouvert is a pretty good alternative
J'Ouvert
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
JUST hours after the 2019 election results were announced, Michael Gove made a vitriolic boast that “both the Durham Miners’ Gala and the Notting Hill Carnival will take place in seats held by Conservative MPs.” That remark reflects the contempt that the Tories have for these two unique festivals of resistance and their deep-rooted political significance.
A telling riposte is Yasmin Joseph’s J’Ouvert and its breakneck excursion around Carnival and boy, does it do it well.
We’re led around the sweaty Notting Hill streets by twenty-something best friends and life-long Carnival goers Jade (Sapphire Joy) and Nadine (Gabrielle Brooks). Looking resplendent in carnival costume and “worshipping at the altar of soca music” they run the full gamut of all the highs and lows a Carnival Monday has to offer.
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