PETER MASON applauds the revival, 39 years later with the same team and cast, of Manfred Karge’s version of Brecht’s 100-year-old play, Mann Ist Mann
A crowning achievement
PAUL DONOVAN recommends a great production of an immaculate adaptation, delivered with tremendous power by an excellent cast
[Marc Brenner]
New releases from Biita Houdei, The Mary Wallopers, and The Tubs
New releases from Biita Houdei, The Mary Wallopers, and The Tubs
MAYER WAKEFIELD applauds a fearless attempt to bring to the stage the 1984 toxic gas disaster in Bhopal, India
ALEX HALL applauds the account of a dogged, traumatic and punishing campaign for justice that has lasted from 1998 to the present day
NICK WRIGHT laments the political bias of an epic attempt to tell the history of the liberation of France from the Nazis, that excludes both the decisive contribution of the Soviet Red Army, and of the French communist party itself
The Mirror and the Light
Gielgud Theatre
THIS production of the Mirror and the Light represents a brilliant final part of the trilogy of plays tracking the rise and fall of Thomas Cromwell.
It has been a while in arriving, coming seven years, after the dramatisation of the first two books Wolf Hall and Bring up the Bodies.
This time the star of those plays, Ben Miles plus director Jeremy Herrin, have collaborated with writer Hilary Mantel to bring this production to the stage.
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Family issues and dragon-fuelled history amount to a vacuous spectacle that ill-fits the theatre, muses SIMON PARSONS
GORDON PARSONS appreciates fine performances and a feel for ambiguity, but misses the music of the dialogue
GORDON PARSONS salutes the apt return of Brecht’s vaudevillian cartoon drama that retains the vitality of the boxing or the circus ring
GORDON PARSONS is blown away by a superb production of Rostand’s comedy of verbal panache and swordmanship