MARJ MAYO recommends a lyrical and disturbing account of the tragic suicide in Venice of Pateh Sabally, a refugee from the Gambia
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Wizardry in Peckham at the centre of the capital’s theatrical innovation
OSTENTATIOUS: (L to R) Amy Bianchi as Cyri, Ashleigh-Mae Schoburgh-Crooks as Efe and Khariis Ubiaro as Mane Man
[Lidia Crisafulli]
In the face of Trump’s brutal aggression, DODIE WEPPLER and TRISH MEEHAN invite you to share some of the masterpieces of Cuban cinema
ANDY HEDGECOCK recommends an unflinching analysis of the billionaire class that celebrates collective resistance to it
MARIA DUARTE and ANGUS REID review The Bride!, The King’s Warden, Sound of Falling, and Mother’s Pride
CHRIS SEARLE speaks to Nicaraguan guitarist OMAR RIOS MELENDEZ
SIMON PARSONS applauds an outstanding one woman show that weaves real poems and narratives into the story of one girl’s flight
The Wonderful
Theatre Peckham, London SE5
THEATRE Peckham is quickly becoming one of my favourite venues for new shows; a community-based theatre in the heart of south-east London, giving a space to the independent, political voices and productions demanding social change. A place which “champions underrepresented voices and leads the change that is influencing our sector,” so its website says.
And what better way to celebrate the holiday season with a much-needed update on the firm family favourite, The Wonderful Wizard of Oz? This time around this reimagined adaptation of L Frank Baum’s classic tale starts off in modern-day Peckham, the Tinman is a Cyborg and Toto the dog is called TikTok. I imagine that scriptwriter Geoff Aymer and director Suzann McLean had a lot of fun with this one.
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DAVID NICHOLSON is thrilled – and shocked – by an opera that seethes and sizzles with passion and the depraved use of power
This is a concert of ambition and courage by organist and improviser Wayne Marshall, says SIMON DUFF
MARY CONWAY is disappointed by a star-studded adaptation of Ibsen’s play that is devoid of believable humanity
MIK SABIERS enjoys the theatrical feminist six piece who have a lot of fun that the audience feeds off as the set rolls on