Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Korean divide bridged by bond of blood
reunion
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
What Remains of Us
Bristol Old Vic
DAVID LANE’S play based on a brief reunion of North and South Korean families 60 years after the Korean War has taken on a profound relevance with the current conflict in Ukraine.
The division of Korea saw the displacement of 10 million families and since 1953 there have been 21 state-controlled family reunions where parents and children selected by their country have had the opportunity to meet each other under the watchful eyes of both the authorities and the world’s press.
Seung-Ki (Jung Sun den Hollander) the daughter of Kwan-Suk (Kwong Loke) last saw her father 50 years previously when he joined the South Korean army. Her family have clung on to his memory despite hearing nothing in all that time. News of his existence and ability to meet up with her at the Red Cross organised reunion has stirred up the past and raised many questions.
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