Back from a mini tour of Yorkshire and Stockport and cheering for supporting act Indignation Meeting
Album review with Ian Sinclair: March 16, 2022
New releases from Father John Misty, Let’s Eat Grandma and Brad Mehldau
covers 3
ALISTAR FINDLAY is mesmerised by this multiple ‘Visions of Scotland’ assault on the audience’s eyes and senses
The Star's critics ANGUS REID, ANDY HEDGECOCK and MICHAL BONCZA reviews I Am Love, The Penguin Lessons, Freaky Tales, The Thicket
MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
Peter Mitchell's photography reveals a poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
Father John Misty
Chloe and the Next 20th Century
(Bella Union)
★★★★
US singer-songwriter Josh Tillman’s work as Father John Misty is so idiosyncratic and audacious he feels like an increasingly polarising figure.
His fifth album is unlikely to win over naysayers, though his many fans, like me, will lap it up. Opener Chloe sets the scene, a strings-laden Great American Songbook-style ballad, with Tillman smoothly channelling Sinatra as he tells the surreal story of the titular character who is “a borough socialist.”
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Detailing the deluge of delusion and dishonesty pushed by the pro-war camp, IAN SINCLAIR identifies four key tactics corporate journalists use to confuse audiences and suppress opposition to the proxy war in the east
New releases from Black Country, New Road, Anouar Brahem, and Jaywalkers
