The Bard reflects on sharing a bed, and why he wont go to Chelsea
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Album review with Ian Sinclair: March 16, 2022
New releases from Father John Misty, Let’s Eat Grandma and Brad Mehldau
MARY CONWAY applauds a new play that foresees the unscrupulous tactics of a future far-right minority government
RON JACOBS is moved to tears by an eloquent journal of heartfelt intensity and human portraiture
ROBERT OVETZ recommends a case study, from the University of Leicester, in their struggle against precarization, AI, privatisation, outsourcing, and work intensification in higher education
IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
SIMON PARSONS applauds an impassioned demonstration of the fundamental role of women in the history and protection of the forest ecosystem
Father John Misty
Chloe and the Next 20th Century
(Bella Union)
★★★★
US singer-songwriter Josh Tillman’s work as Father John Misty is so idiosyncratic and audacious he feels like an increasingly polarising figure.
His fifth album is unlikely to win over naysayers, though his many fans, like me, will lap it up. Opener Chloe sets the scene, a strings-laden Great American Songbook-style ballad, with Tillman smoothly channelling Sinatra as he tells the surreal story of the titular character who is “a borough socialist.”
More from this author
New releases from Steady Habits, Jeff Tweedy, and Tom Skinner
IAN SINCLAIR welcomes a lucid critique of a technology that reproduces and enables oppression, power, and environmental devastation
Reviews of new releases by Wednesday, Suede, and Nation of Language
Reviews of new releases by Jens Lekman, Big Thief, and Christian McBride Big Band
