In his second round-up, EWAN CAMERON picks excellent solo shows that deal with Scottishness, Englishness and race as highlights
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Guernica, 85 years on
JENNY FARRELL examines the detailed symbolism within Picasso's iconic anti-war and anti-fascist painting
Fiery words from the Bard in Blackpool and Edinburgh, and Evidence Based Punk Rock from The Protest Family
MATTHEW HAWKINS is mesmerised by a performance that dissolves the line between audience and performer
MATTHEW SHARPE recommends the essays of a Renaissance politician that instruct and unnerve after 400 years
GAVIN O’TOOLE welcomes the reissue of a seminal work of revolutionary theory that have genuine relevance in the current context
RON JACOBS rides shotgun with a member of Black Bloc on the wave of anti-capitalist protests of the 1990s and early 2000s
THERE are a handful of pictures that may be said to be almost universally known. They include Leonardo’s Mona Lisa, Edvard Munch’s The Scream and Picasso’s Guernica. The last was painted eight five years ago this month.
On April 26, 1937, the small Basque town of Guernica was annihilated by German bombers.
The Spanish painter Pablo Picasso, long based in France, heard of this act of terror on April 28 and began initial sketches in response to this atrocity on May 1. It became the painting Guernica.
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As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware its co-option by the far-right
As Caspar David Friedrich’s 250th anniversary is celebrated in Berlin and New York, JENNY FARRELL urges viewers of the German Romantic painter to understand its true historical context, and beware his co-option by the far right
