MAYER WAKEFIELD has reservations about the direction of a play centered on a DVLA re-training session for three British-Pakistani motorists
Class prejudice holds back working-class talent
Radical changes are required in the publishing industry for working-class writers to overcome the multiple challenges they face in a sector from which they are largely excluded, posits GAVIN O’TOOLE
GOT
New releases from Steve Knightley, Jupiter & Okwess, Jason Palmer, Lisa Knapp and Gerry Driver, Kin'Gongolo Kiniata, Ingrid Laubrock/Tom Rainey, Dan Sealey, Simin Tande, PAZ
JOHN GREEN relishes photography that unfolds a longstanding and poetic relationship with Leeds
A uncomfortably misogynistic authorial voice that sometimes seems to lack insight troubles FIONA O’CONNOR
MARY CONWAY is disappointed by a production that panders – if inadvertently – to Western prejudice against China
JOHN GREEN is fascinated by a history that excavates the enormous role played by agricultural workers in recent times
ALEX HALL recommends a book that places empirical evidence at the heart of understanding racism
NOVELIST Kit de Waal told an audience in Listowel, Ireland, last Thursday that an important shift in attitudes and practices is needed in order to break the class ceiling in literature.
“Change needs to come not just by supporting working-class people to write but from the industry itself — who it employs, so that when people are reading stories from working-class writers they are understanding them — but secondly the publishing industry has to value the stories that working-class people want to write about,” she said.
De Waal was speaking during the panel A Working Class Writer is Something to Be at Listowel Writers’ Week in Kerry, Ireland’s oldest literary and arts festival, first held in 1971.
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