MIRANDA RICHMOND relishes the gloriously liberated art of Roy Oxlade, and traces his method back to the thinking of David Bomberg, his acknowledged teacher
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Letters From Latin America: July 28, 2022
LEO BOIX reviews fiction by Argentinian Ariana Harwicz and Colombian Cristina Bendek, and poetry collections by Bolivian Rocio Agreda Pierola and Anglo-Argentine Miguel Cullen
MARTIN HALL examines the way the Roman orator took on different schools of philosophy
ALEX HALL is amused at the way the UFOs appear exactly where commercial interests, conspiracies, militarism and right-wing media overlap
ANDY HEDGECOCK is astonished by a portrait of contemporary Greece, complete with political protest, organised crime and people trafficking, told from the point of view of — wait for it — runaway poultry
MICHAL BONCZA and MARIA DUARTE review Eagles Of The Republic, The Balloonists, Star Wars: The Mandalorian and Grogu, and Tom Clancy’s Jack Ryan: Ghost War
TOMASZ PIERSCIONEK is intrigued by a the changing significance of its vast areas of forest to Russia’s history
SALT CRYSTALS (Charco Press, £11.99) is Cristina Bendek debut novel.
The book, flawlessly translated by Robyn Myers, recounts the story of Victoria Baruq, a young woman of mixed Raizal (Afro-Caribbeans from the Colombian archipelago of San Andres, Providencia and Santa Catalina) and Lebanese ancestry, who has lived for several years in Mexico City.
She decides to return to San Andres, her birthplace, after the sudden death of both her parents.
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CHRIS MOSS joins the hunt in Argentina for the works of Poland’s most enigmatic exile
A ghost story by Mexican Ave Barrera, a Surrealist poetry collection by Peruvian Cesar Moro, and a manifesto-poem on women’s labour and capitalist havoc by Peruvian Valeria Roman Marroquin
Heart Lamp by the Indian writer Banu Mushtaq and winner of the 2025 International Booker prize is a powerful collection of stories inspired by the real suffering of women, writes HELEN VASSALLO
FIONA O'CONNOR recommends a biography that is a beautiful achievement and could stand as a manifesto for the power of subtlety in art