PAUL DONOVAN applauds an intriguing multi-layered depiction, dominated by a stunning impersonation of Marilyn herself
THE HEATHENS by Ace Atkins (Corsair, £9.99) is the latest in the series about Sheriff Quinn Colson, whose bailiwick is a rural county in Mississippi. When a local white women is murdered, opinion in town is that her rumbustious teenage daughter did it, possibly in cahoots with her boyfriend, who is not only a petty villain, but black as well.
The young couple go on the lam in a series of stolen cars, leaving the sheriff, who’s pretty sure they’re not guilty, to catch them before they manage to get themselves killed.
Brutal, shocking, suspenseful and funny, there’s always a whiff of the freak show about these books, with almost every character being a grotesque or an eccentric, living in a land that seems to be 200 years behind the rest of the world.
A misfit couple unhappily ever after, a dead man walking, dodgy journos, and trench art trucking
Monster profits on the Tube, paternal dilemmas for time travellers, and an alien abduction buddy saga
Conman conned in a twisty thriller, blind trust tested to the limit, cunning murder methods, and tip-top police procedural
DOUGLAS FIELD relishes the hard-boiled language, satire and humour of the third and last of the Harlem trilogy



