Skip to main content
Donate to the 95 years appeal
Ambitious plays in need of directorial editing
(L to R) Jade Ogugua as Vi, Joe Barber as Laurie and Tim Treloar as Mick

 

 

O, Island
★★★
Ivy Tiller, Vicar’s Daughter, Squirrel Killer

The Other Place
Stratford-Upon-Avon

THE post-Covid re-emergence of the RSC’s Mischief Festival in its Stratford studio theatre, designed to introduce new writing, features a double bill of two ambitious short plays full of topical references, both in need of directorial editing.

O, Island by Nina Seagal is a dystopian parable set in a Home Counties village not a million miles from Ambridge, isolated by river floodwaters.

It moves from knock-about comedy, with the local Tory MP determined at all costs to snatch a publicity photograph of his heroic rescuing performance, being rejected by the villagers, who establish an independent islet state led by the articulate, grandmotherly Margaret.

This promised Utopia, “a return to an idyllic community,” free from outside infection rapidly turns into a fenced-in Atlantis where the local pageant becomes a neofascist rally, people are disappeared and children taken for re-education.

This sinister development is all done with an overlay of benevolence and humour, but the play is hampered by the playwright’s determination that her message must register.

Inge, the documentary film-maker narrator, deciding not just to record events but to shape them, urges us to confront history — “We must all do more than witness.”

She challenges the benign Trumpish Margaret with a long explanatory speech — “You can’t just choose a truth and make it so” — before being gently drowned in a bath.

Never mind, it all ends happily with the adolescent Laurie assuring us that “we won’t always be an island.”

Bea Roberts’ Ivy Tiller is the central character in a farrago of a play about a disturbed conservationist obsessed by the need to eradicate grey squirrels in order to preserve their native red version.

Despite energetic work from the cast, the 90 minutes seemed much longer as the audience struggle to work out where characters fit into this jigsaw of a play — are there missing pieces or are they so jumbled that the business of sorting them out is just too exhausting?

Runs until November 5 2022. Box office: 01789 331-111, rsc.org.uk.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
More from this author
HAMLET
Theatre review / 16 June 2025
16 June 2025

GORDON PARSONS joins a standing ovation for a brilliant production that fuses Shakespeare’s tragedy with Radiohead's music

londres
Books / 12 June 2025
12 June 2025

GORDON PARSONS recommends a gripping account of flawed justice in the case of Pinochet and the Nazi fugitive Walther Rauff

wasteland
Books / 16 May 2025
16 May 2025

GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative

nazi nightmares
Books / 2 May 2025
2 May 2025

GORDON PARSONS is fascinated by a unique dream journal collected by a Jewish journalist in Nazi Berlin

Similar stories
The cast of Much Ado About Nothing / Pic: Marc Brenner
Theatre review / 23 April 2025
23 April 2025

GORDON PARSONS squirms at a production that attempts to update Shakespeare’s comedy to a tale of Premier League football

Nikki Cheung as Karen in the Red Shoes
Theatre review / 18 November 2024
18 November 2024
GORDON PARSONS is filled with unease by the RSC’s offering of a brutal fairytale for Christmas
MESSING WITH MEDIA: David Edgar's The New Real
Theatre review / 11 October 2024
11 October 2024
GORDON PARSONS applauds one of those few brave plays to confront the politics of our world head on
AS YOU JAM IT: the cast of As You Like It
Theatre review / 29 July 2024
29 July 2024
GORDON PARSONS relishes a Shakespearean comedy played at pace for sheer delight