This year’s Venice Biennale marks a major shift in European cultural politics suggests CLARE CAROLIN
Half Man Half Biscuit
Electric Ballroom, London
20/1/2023
IN CAMDEN TOWN on a cold January night, a man down the front is crying and bellowing along to the closing track of a band’s sixteenth studio album: Oblong of Dreams, a paean to place and belonging worthy of Wordsworth.
Up on stage, Nigel Blackwell, Britain’s greatest living songwriter, is an unassuming type, his genius known only to a lucky few. Half Man Half Biscuit’s wonderful, warm and endearingly obsessive fan base are all here, packed like expectant sardines after drinking weak lager in a Camden boozer.
While many of their era have long since sunk into a morass of nostalgia tours, new tunes met with a rush to the bar, Nigel and the boys are more vital than ever.
BEN COWLES samples the many sonic and social therapies of Manchester Punk Festival 2026, and is ready again to smash capitalism
NEIL GARDNER listens to a refreshingly varied setlist that charts Cabaret Voltaire's voyage from avant-garde experimentalists to techno pioneers
WILL STONE takes a ticket to indie disco heaven, but misses the rarely performed tunes
Reviews of More, Remembering Now, and New Vienna



