GUILLERMO THOMAS recommends an important, if dispiriting book about the neo-colonial culture of Uganda under Yoweri Museveni
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Just my type
On UK Disability Awareness Day ANGUS REID celebrates the art of KEITH ARMSTRONG, a pioneering activist and writer whose unique body of artwork is a vision of protest and peace
Ward 16 poem, 1972; My Typewriter Is Not Typing Like It Used To, 1977; The Plane Tree, 1999
[Courtesy of Caseroom Press]
SUSAN DARLINGTON applauds the sensuality and strong characterisation of an unconventional ballet about an unconventional woman
BRENT CUTLER admires the plotting but takes issue with the politics of a new Scottish crime thriller
Tyrannosaurs in Thailand, colonialism as videogame, and a feminist gem from 1936
PAUL FOLEY steps gingerly through an exhibition that purports to show east and south-east Asian culture, and questions its intentions
New releases from Alex Wilson and Omar Rios Melendez, Hello Cosmos, and Harry Christelis
KEITH ARMSTRONG (1950-2017) was a dynamic activist for the rights of people with disabilities. He was also highly creative, working as an artist, poet and musician, and a serious scholar of the history and linguistics of disability.
He contracted polio during infancy. In his teens he could just about walk but at the age of 20 he spent an entire year in hospital, undergoing complex back surgery. He would spend the rest of his life on crutches and, increasingly, in a wheelchair.
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