CATHERINE STEEL relishes a compelling novel about Augustus’s right hand man, but misses the politics, the cultural shifts, and more detail about his restoration of Rome
England and Son,
Summerhall, Edinburgh
He’s done it again!
A few years ago, Ed Edwards exploded into Edinburgh with A Political History of Smack and Crack, performed at the Fringe Festival. It was a brilliant piece of political theatre, setting personal stories of drug addiction in ’80s Britain against the background of brutal Tory policies of deindustrialisation and the historical encouragement of the international drugs trade by the US, Britain and France in the course of their imperialist adventures.
Now he’s back in Edinburgh, together with Mark Thomas, the actor, comedian and political activist, with the equally explosive England and Son, which could well have been called “The Political History of Toxic Masculinity.”
By chance, RENATA MEDEIROS MIRRA comes across a fine new two hander about the enduring legacy of the Miners' strike
CHRIS SEARLE speaks to US saxophonist CAROLINE KRAABEL
KEN COCKBURN guides us through a survey of Chekov’s early short fiction, and the groundwork it laid for his later masterpieces
GEORGE FOGARTY is captivated by a brilliant one-man show depicting life in HMP Strangeways



