[Pic: Daniel Naczk/CC]
MATTHEW HAWKINS relishes the valiant defiance of two gay Scottish painters whose example resists both collectors’ taste and historical fiction
Essays on contemporary Latin American feminism, a poetry debut by a queer Texan of Mexican heritage, and a lush volume of tango and milonga drawings
JOHN McINALLY welcomes a rigorous class analysis of the history and exploitation of sectarianism by the Scottish ruling elite
The bard pays homage to his two muses: his wife and his football club
Where Furnaces Burn
Joel Lane
Influx Press, £9.99
JOEL LANE was a dissident mythmaker. In his novels and short stories, he reworked the traditions of supernatural horror and noir crime to confront the cruelties, absurdities and horrors of neoliberalism.
Lane’s unexpected death in 2013, at the age of just 50, silenced a voice of considerable intelligence and imaginative power. Fortunately, Influx Press are publishing new editions of his books. Where Furnaces Burn, the latest to be reissued, is a medley of 26 thematically and stylistically linked short stories, each of them an episode from the 24-year career of a West Midlands Police officer. In the opening story, the narrator is a trainee constable in late 1970s Wolverhampton; at the end of the book, and the close of his career, he is a damaged and disillusioned detective sergeant.
The format is deceptive. The police procedural elements are embarkation points for unsettling, genre-blending expeditions into places neglected by corporations and politicians — West Midlands districts with rotting infrastructure and marginalised people.
