JAMES WALSH is moved by an exhibition of graphic art that relates horrors that would be much less immediate in other media

SEICHO MATSUMOTO was one of Japan’s best known and most significant 20th-century crime writers, credited with leading the break from so-called “puzzle fiction” – locked room mysteries, traditional whodunnits and the like – and instead taking the genre towards social commentary and psychological observation.
Point Zero (Bitter Lemon, £9.99), first published in 1959, is amongst his key novels.
Its 26-year-old protagonist marries, via a matchmaker, an advertising salesman 10 years her senior. As Teiko gets to know him a little, her hope grows that it’s a partnership which could work for both of them. But then, after only a couple of weeks of marriage, her husband sets out from Tokyo on a business trip to the north – and vanishes. As Teiko investigates she finds a tragedy with its roots in the post-war US occupation, and the ways in which women, only a generation before her own, survived both war and peace.

Edinburgh can take great pride in an episode of its history where a murderous captain of the city guard was brought to justice by a righteous crowd — and nobody snitched to Westminster in the aftermath, writes MAT COWARD


