IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
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Lockdown blues
SIMON PARSONS welcomes a new play that examines the Covid pandemic through the lens of a disintegrating marriage
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High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
ALEX HALL is intrigued by a detailed history of Gaza that demonstrates its historic resilience and changing economy
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Finborough Theatre, London
FOUR years since the Covid lockdown, the memory is still fresh in most people’s minds, but James McDermott’s play is a worthwhile reflection on the scarring impact of the event.
Seen through the eyes of a couple in their sixties, this domestic drama works as a series of brief scenes, almost like a photo album, mapping the disintegration of their long marriage during the months of confinement while external snippets of news remind us of the deadly progress of the virus and the government’s responses.
Anne is an NHS administrative worker and the breadwinner for the household, while Don runs an unprofitable vintage clothing shop, more as a hobby than a business.
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