EWAN CAMERON picks out two fascinating music shows, fusing the Korean, and the Celtic, with the modern
Attila the Stockbroker Diary: March 8, 2024
The itinerant troubadour extols the virtues of grassroots campaigning and train travel as he makes, for the first time in his life, a pilgrimage to the Holy City
Poets in London (Attila and John Hegley); Seagulls in Rome
[Courtesy of Attila the Stockbroker]
BENJAMIN POTHIER suggests that Palaeolithic cave paintings in Spain point to the ceremonial use of hallucinogenic flora
The bard confirms that the right has a humour bypass, and replays the English Revolution on period instruments
MARIA DUARTE and ANDY HEDGECOCK review Sunny Dancer, Tony, Songs of Forgotten Trees, and The End of Oak Street
JOHN GREEN relishes a powerful and moving drama that explores the lived realities of west London’s Punjabi community
MARTIN HALL welcomes a plea for greater compassion between believer and non-believer via the framework of philosophical enquiry
FIRSTLY, thanks to everyone who came to my latest London matinee show at The Dublin Castle last Sunday. It featured a long overdue reunion with my old poetic mucker John Hegley, whom I first performed with on the CAST New Variety circuit in the early ’80s. He was brilliant, as was the unique and inspirational Blyth Power, and the place was packed. Cheers John! Lovely to see you again.
I wrote the first part of this on the long train journey to Rome, where last night I watched Brighton play AS Roma in the Olympic Stadium in the last sixteen of the Europa League.
I’m going to repeat that.
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