GABRIELE NEHER draws attention to an astoundingly skilled Flemish painter who defied the notion that women cannot paint like men
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Two outstanding youth productions
DAVID NICHOLSON is enthralled by new work from WNO that teaches children to sing and perform
The pupils of Data-class 452 and their android teacher in Cary John Franklin's The Very Last Green Thing
[Kirsten Mcternan/WNO]
The Bard pays homage to Hull’s finest promoter and venue, and awards Douze Points to Laibach
KEVIN DONNELLY outlines how the bourgeois institutions inhibit our ability to to view art in revolutionary ways, and suggests some tactics to overturn it
ANDY HEDGECOCK welcomes an accessible - and optimistic - take on our relationship to new technology
JOHN GREEN suggests that a new, biased, and highly readable re-hash of the story of the Cambridge Five be taken with a large pinch of salt
BRENT CUTLER welcomes a timely reminder of the long history of protests and the outdoor spaces in which they takes place
Welsh Youth Opera
Millennium Centre, Cardiff Bay
IF OPERA is to thrive and bring in new audiences, then having a youth wing of singers and putting on productions aimed at young people is essential. Welsh National Opera claims it is committed to diversity and ensuring its work is accessible to a wide audience.
Its latest production of Solomon’s Ring and The Very Last Green Thing by the WNO Youth Opera manages to be both entertaining and a great introduction to opera for a younger audience. The youth opera has two cohorts aged 10-14 and 14-18 years of age and both groups combine to bring us 60 minutes of top-class singing and fine acting performances.
Solomon’s Ring is a very short piece that started life as a way of providing more stage time for some of the members of the youth opera who were not as involved with the longer The Very Last Green Thing and helped create the piece themselves.
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