ALEX HALL is disgusted by the misuse of ‘emotional narratives’ to justify uninformed geo-political prejudice
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Black and white and Redcar
MIKE QUILLE salutes an extensive body of photographic work that documents, with subtlety and compassion, working-class lives in north-east England
Redcar Blast Furnace, 2.00am Midsummer night, 1986; Picnic on Bran Sand, South Gare, Teesmouth 1982
SUE TURNER welcomes a thoughtful, engaging book that lays bare the economic realities of global waste management
JOHN GREEN welcomes an insider account of the achievements and failures of the transition to democracy in Portugal
SIMON PARSONS applauds an imaginative and absorbing updating of Strindberg’s classic
PETER MASON is enthralled by an assembly of objects, ancient and modern, that have lain in the mud of London’s river
MICK McSHANE rubs shoulders with Mod legend Steve Craddock and joins in with the joyous Glasgow choir
DENNIS BROE sifts out the ideological bias of the newest TV series offerings, and picks out what to see, and what to avoid
Ian Macdonald – Fixing Time
Northern Gallery for Contemporary Art, Sunderland
FIXING TIME is the title of a comprehensive exhibition of 50 years’ work by Ian Macdonald, the north-east England photographer and artist. It takes place across two venues, the Northern Gallery for Contemporary Art and Sunderland Museum and Winter Gardens.
Macdonald’s extensive body of work is dedicated to documenting working-class life, and the rise and fall of heavy industry in the north-east in the last decades of the 20th century. This has been, of course, a period marked by huge political shifts and social upheaval. There are a wide range of themes, including People, Towns and Portraits; Greatham Creek, Teeside; Smith’s Dock Shipyard; Redcar Blast Furnace; and School Portraits.
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