RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
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‘It’s fascinating what humans not doing human shit can mean for the world’
George Fogarty speaks to US Surrealist Blues poet AJA MONET
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IAN SINCLAIR draws attention to the powerful role that literature plays in foreseeing the way humanity will deal with climate crisis
High quality pulp, rollicking online murders, Abnorman Britain, and high skates drama: reviews of The Get Off, Everyone In The Group Chat Dies, Pagans and First To Fall
DENNIS BROE notes what happens to content when the streaming giants incorporate AI and deregulation into their economic models
New releases from The Tenementals, Nik Bartsch’s Ronin, and Kuunatic
SCOTT ALSWORTH hears the call to burn down and rebuild the video game industry from the bottom up
The Chinese language only introduced a feminine pronoun in the 1920s. Now, it might adopt a gender-inclusive one, suggests JANET DAVEY
“WHO’s got time for poems when the world’s on fire?” asks Aja Monet in the heart-achingly beautiful and gut-wrenchingly honest For Sonia. Her answer, it becomes clear, is that it is precisely when the world’s on fire that the movement, such as it is, needs the nourishment that poetry provides.
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