Skip to main content
Work with the NEU
Ideas that resonate
The Wretched of the Earth has been translated into South Africa’s Zulu language. Its translator MAKHOSAZANA XABA explains why Frantz Fanon’s revolutionary book still matters and why is it important that books like this be available in isiZulu
CONTINUING RELEVANCE: (Left) Frantz Fanon at a press conference during a writers' conference in Tunis, 1959; (right) Justice for All March Washington DC in 2014 [(L to R) Public domain/CC - fuseboxradio/CC]

ALTHOUGH newspapers in isiZulu, a Southern Bantu language, have existed since the mid-1800s, only Ilanga lase Natal, founded in 1903, has survived. But the readership for isiZulu literature is massive.

IsiZulu is the majority language in South Africa; 23 per cent of the population speaks it as their first language.

The 95th Anniversary Appeal
Support the Morning Star
You have reached the free limit.
Subscribe to continue reading.
Similar stories
autism
Books / 23 December 2025
23 December 2025

JOSEPHINE BARBARO welcomes a diverse anthology of experiences by autistic women that amounts to a resounding chorus, demanding to be heard

Mounted police engaging Indigenous Australians during the Slaughterhouse Creek clash of 1838 / Pic: W.Walton after Louisa and Godfrey Charles Mundy/CC
Book Review / 12 September 2025
12 September 2025

HEIDI NORMAN welcomes a new history of the Aboriginal resistance to white settlers in New South Wales

US President Donald Trump speaks during the 157th National Memorial Day Observance at Arlington National Cemetery, May 26, 2025, in Arlington, Virginia
Climate Crisis / 28 May 2025
28 May 2025

ALASTAIR BONNETT reports on the paradoxes of populist attitudes towards protection of the natural world

COMPASSION: Author Banu Mushtaq, right, and translator Deepa Bhasthi with the International Booker Prize statuettes last Tuesday
Books / 27 May 2025
27 May 2025

Heart Lamp by the Indian writer Banu Mushtaq and winner of the 2025 International Booker prize is a powerful collection of stories inspired by the real suffering of women, writes HELEN VASSALLO