GAVIN O’TOOLE welcomes a bold feminist subversion of classic folktales that are ubiquitous in the Irish imagination
Sympathy for the devils
‘There's outrage aplenty in this production but we never quite get to the dark night of the soul,’ writes WILL STONE
HOMOSEXUAL REPRESSION: Kingsley Ben-Adir as Brick and Seb Carrington as Skipper
[Marc Brenner]
A novel by Mexican Juan Pablo Villalobos, poetry by Mexican Ingrid Bringas, and a biography by Argentinian Mercedes Halfon
PAUL DONOVAN applauds an entertaining dramatisation of the famous dispute that gives insight into the struggle, and Murdoch’s unscrupulous mendacity
ELLIS RAE is disappointed by the revival of a nihilistic play that fails to offer alternatives for social change
STEVE JOHNSON recommends an exceptional album that explores the narrative folk tradition often with a strong political message
JOHN GREEN appreciates an informative and readable account of the nation state and its current dilemmas, but doubts the solutions this author has to offer
Cat On A Hot Tin Roof
Almeida Theatre
TENNESSEE Williams’s favourite play is a masterpiece of richly drawn characters, open to seemingly endless interpretation.
Set on a cotton plantation in the Deep South, the original 1955 production had a white cast performing as the family of wealthy landowners with black actors playing servants.
Since then productions have featured an all-black cast and those set in the modern era complete with mobile phones and iPads.
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