This year’s Venice Biennale marks a major shift in European cultural politics suggests CLARE CAROLIN
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A brilliant performance
LOUIS BAYMAN admires Mike Leigh’s bleakly comic take on a black woman’s experience of depression that offers no easy answers
TOUR DE FORCE: Marianne Jean-Baptiste in Hard Truths
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ANGUS REID applauds the potential of an ambitious show about Gaza, and encourages it to keep its nerve
MATTHEW HAWKINS considers the opening offering at the National Festival of Korean Dance
ANDY HEDGECOCK welcomes an effective and entertaining overview of those who see erroneous ideas as self-evident truths
KENNY MacASKILL welcomes that rare thing: a readable analysis and explanation of the capitalist economy
The world of fake news, where people don’t believe what they are fed, will lead to a demand for authenticity, suggests PAUL DONOVAN
IF you were to ask a computer programme to come up with a title for a new Mike Leigh film it could do no better than Hard Truths.
Echoing the title of his very first film in 1971, Bleak Moments, Hard Truths represents a variation on the veteran British director’s recurrent theme of the delusions that keep us a step away from despair.
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