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Martin Luther King revisited
MAYER WAKEFIELD salutes a fresh angle on the conflicted soul that led the civil rights movement
Adrian Decosta as Martin Luther King, with Will Batty, Andrew Earl and Lincoln James
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
The Life and Death of Martin Luther King
Golden Goose Theatre, London
“THE only thing that I’m truly scared of is myself” is the line that lingers in the mind as the audience departs TNT Theatre’s turbulent retelling of MLK’s famous life.
Sandwiched in a discussion between his wife Corretta and his trusted right-hand man Ralph Abernathy during the Montgomery bus boycott, the almost-mythical Baptist minister seems consumed by self-doubt, as he does through much of this production.
Snappy vignettes of King’s campaigning life retell many of his victorious struggles from Selma, Alabama, to Washington DC with creative vigour.
Similar stories
PAUL DONOVAN applauds a timely play that explores the resonances of McCarthyite nationalism in today’s US
GORDON PARSONS admires a version of Marlowe’s grim tragedy that strips it down to its gay essentials
MAYER WAKEFIELD wonders why this 1978 drama merits a revival despite demonstrating that the underlying theme of racism in the UK remains relevant
SYLVIA HIKINS recommends a wordless production that conveys deeply moving images of occupation and settlement in Palestine