The bard celebrates two other fine practitioners of the art, and laments a lost brewer
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Martin Luther King revisited
MAYER WAKEFIELD salutes a fresh angle on the conflicted soul that led the civil rights movement
Adrian Decosta as Martin Luther King, with Will Batty, Andrew Earl and Lincoln James
[Courtesy of TNT Theatre]
This right-wing conspiracy theory is used to justify the coercive measures against gender, race and labour rights that best serve capitalism, attests GAVIN O’TOOLE
KENNY MONROSE recommends a new exhibition that highlights the significance of Black British music
ANGUS REID is bowled over by an exuberant film about the making of Keith Jarrett’s legendary concert
MARIA DUARTE, FIONA O’CONNOR and ANDY HEDGECOCK review Savage House, Enzo, Madfabulous, and Erupcja
CHRIS SEARLE recommends a work of love and deep admiration for a great musician
The Life and Death of Martin Luther King
Golden Goose Theatre, London
“THE only thing that I’m truly scared of is myself” is the line that lingers in the mind as the audience departs TNT Theatre’s turbulent retelling of MLK’s famous life.
Sandwiched in a discussion between his wife Corretta and his trusted right-hand man Ralph Abernathy during the Montgomery bus boycott, the almost-mythical Baptist minister seems consumed by self-doubt, as he does through much of this production.
Snappy vignettes of King’s campaigning life retell many of his victorious struggles from Selma, Alabama, to Washington DC with creative vigour.
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