RUTH AYLETT admires the blunt honesty with which a woman’s experience is recorded, but detects the unexamined privilege that underlies it
Plotless musical flops
PETER MASON points out that it takes more than a string of poppy power ballads to make a satisfactory drama

Figaro: An Original Musical
London Palladium
NOTHING to do with The Marriage of Figaro, this new musical tells the story of an impressionable young female singer, Sienna, who is literally and figuratively hypnotised by a controlling, philandering impresario who wants to feature her as the prize act in his travelling show.
It turns out that Figaro – for it is he – has done this kind of thing before. When Sienna eventually twigs that he’s not really in love with her, she tries to release herself from his clutches.
Though a new storyline, it’s a rather confusing one, especially at the end, where we’re not quite sure which bits of it have been real or imagined.
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