The bard gives us advance notice of his upcoming medieval K-pop releases
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Plotless musical flops
PETER MASON points out that it takes more than a string of poppy power ballads to make a satisfactory drama
CAUGHT IN THE CLUTCHES: John Robyns and Cayleigh Capaldi in Figaro
GORDON PARSONS steps warily through the pessimistic world view of an influential US conservative
HENRY BELL takes issue with the assertion that basic income is a remedy for poverty when it doesn’t address the inbuilt inequality of capitalism
RON JACOBS welcomes an investigation of the murders of US leftist activists that tells the story of a solidarity movement in Chile
RITA DI SANTO surveys the smorgasbord of films on offer at this year’s festival
Reviews of A New Kind Of Wilderness, The Marching Band, Good One and Magic Farm by MARIA DUARTE, ANDY HEDGECOCK and MICHAL BONCZA
SCOTT ALSWORTH foresees the coming of the smaller, leaner, and class conscious indie studio, with art as its guiding star
Figaro: An Original Musical
London Palladium
NOTHING to do with The Marriage of Figaro, this new musical tells the story of an impressionable young female singer, Sienna, who is literally and figuratively hypnotised by a controlling, philandering impresario who wants to feature her as the prize act in his travelling show.
It turns out that Figaro – for it is he – has done this kind of thing before. When Sienna eventually twigs that he’s not really in love with her, she tries to release herself from his clutches.
Though a new storyline, it’s a rather confusing one, especially at the end, where we’re not quite sure which bits of it have been real or imagined.
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PETER MASON applauds a classic drama exploring assimilation and resistance among poor black inhabitants of a Chigago slum
PETER MASON appreciates the songs and spectacle but misses attention-grabbing intrigue in Sarah Ruhl’s adaptation of the US movie