The Star's critic MARIA DUARTE recommends an impressive impersonation of Bob Dylan
Ambitious political satire
GORDON PARSONS applauds one of those few brave plays to confront the politics of our world head on
The Star's critic MARIA DUARTE reviews Here, Vermiglio, William Tell and Wolf Man
New releases from Thorpe and Morrison, Daria Kulesh, and Will Finn and Rosie Calvert
RINA ARYA confronts the brutal operation of Francis Bacon’s approach to portraiture
Emphasising his continuous engagement in labour movement struggles, ALISTAIR FINDLAY salutes John Foster’s contribution as activist, strategist, intellectual and defender of the Morning Star
ANDY MIAH advocates the use of AI to assist people by expanding access to global literature and culture
EWAN KOTZ relishes a veteran Glasgow band that have lost none of their verve for live performance
The New Real
The Other Place, Stratford-upon-Avon
SINCE his ground-breaking Destiny in 1976, exploring the complexities underlying the BNP surface of British fascism, there is an air of excited expectancy when David Edgar presents another of his epic dramatic analyses of the political scene.
Just as in his latest book, The Populist Right, examining the current explosion of right-wing movements throughout Europe, The New Real engages with the shift in the political tectonic plates throughout the continent.
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A landmark work of gay ethnography, an avant-garde fusion of folk and modernity, and a chance comment in a great interview
ANGUS REID applauds the inventive stagecraft with which the Lyceum serve up Stevenson’s classic, but misses the deeper themes
ANGUS REID time-travels back to times when Gay Liberation was radical and allied seamlessly to an anti-racist, anti-establishment movement
ANGUS REID speaks to historian Siphokazi Magadla about the women who fought apartheid and their impact on South African society
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MAYER WAKEFIELD speaks to playwright David Edgar about the political analysis that underlies his two new plays
GORDON PARSONS applauds a compelling dramatisation of the tortured process by which the 1997 conference failed to address global warming
Transmorphed into a romp in the Caribbean, the play effortlessly wins over the audience, writes GORDON PARSONS
GORDON PARSONS relishes a production in which Shakespeare’s language gives way to frenetic action and impressively colourful visual effects